Masala develops the ancient theory of Indian Raga into the context of European Ambient music, modal Jazz and some of the most innovative experiments with techno music.
Within the present trend to recover melodic-modal concepts from ethnic music, Raga theory is an invaluable instrument for analysis and development: it helps us to understand the essence of all kinds of music in the world , most of which, like raggae and blues, have by now reached the status of musical heritage.
Masala doesn’t mean the fusion of Western and Eastern music but rather the matrix they share. 
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Three musicians (Boliwar Miranda, Maurizio Dami and Ettore Bonafè) with different backgrounds (Indian classical music, electronic music and jazz) develop a research-project that is unaffected by any physical place and time and use different composition tools to do so.